{"id":50,"date":"2023-11-28T18:16:43","date_gmt":"2023-11-28T18:16:43","guid":{"rendered":"https:\/\/www.tomascohen.info\/translation-copy\/"},"modified":"2024-02-27T18:06:14","modified_gmt":"2024-02-27T18:06:14","slug":"publications-2","status":"publish","type":"page","link":"https:\/\/www.tomascohen.info\/en\/publications-2\/","title":{"rendered":"Publications"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":8,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"class_list":["post-50","page","type-page","status-publish","hentry"],"aioseo_notices":[],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1,\r\n \"rowGutters\": [\r\n 5,\r\n 5,\r\n 0,\r\n 0,\r\n 2,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 0,\r\n 2\r\n ],\r\n \"frameMargin\": 5,\r\n \"leftFrameMargin\": 5,\r\n \"rightFrameMargin\": 5,\r\n \"topFrameMargin\": 40,\r\n \"bottomFrameMargin\": 8,\r\n \"rowAttrs\": [\r\n {\r\n \"relid\": 2\r\n },\r\n {\r\n \"relid\": 4\r\n },\r\n {\r\n \"relid\": 11\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 15\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 8\r\n },\r\n {\r\n \"relid\": 18\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 20\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 44\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 48\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 28\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 50\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 27\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 52\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 24\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 54\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 10\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 56\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 14\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 58\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 26\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 60\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 46\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 62\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 33\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 64\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 32\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 66\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 36\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 68\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 37\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 70\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 40\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 72\r\n },\r\n {\r\n \"collapse\": true,\r\n \"relid\": 41\r\n },\r\n {\r\n \"relid\": 3\r\n }\r\n ],\r\n \"bgColor\": \"#f9f9f9\",\r\n \"bgImage\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Poetry<\/a>, artistic direction<\/a>,<\/span><\/a> painting and drawing<\/a>, translation<\/a>, publications,<\/span><\/a> press<\/a>, bio<\/a>.<\/span><\/h1>\",\r\n \"align\": \"bottom\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 11,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5,\r\n \"absolute_position\": false,\r\n \"stickytop\": \"111\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Here I link to my online publications in several languages and to videos of some readings. You can also download a complete list of my publications.<\/span><\/p>\",\r\n \"align\": \"onethird\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 10,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7,\r\n \"absolute_position\": false\r\n }\r\n ],\r\n \"relid\": 1,\r\n \"colspan\": 10,\r\n \"col\": 0,\r\n \"push\": 0,\r\n \"row\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"align\": \"bottom\",\r\n \"yvel\": 1,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Online publications<\/span><\/a><\/span><\/h1>\",\r\n \"align\": \"middle\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 10,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

+<\/span><\/a><\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 2,\r\n \"col\": 11,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 12,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

A<\/span><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 16,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

14 poems in Lyrikline (Germany)<\/span><\/p>

https:\/\/www.lyrikline.org\/en\/authors\/tomas-cohen<\/span><\/a><\/p>


<\/span>It is with great joy that I link to 14 poems of mine that have been selected for Lyrikline, probably the most important online resource for international poetry in Europe. There you can read my poems along with their translations into several languages and also listen to excellently produced voice recordings of me reading each poem. Big thanks to Heiko Strunk, who invited me to participate, to Kevin Nagel, who produced the recordings and to the whole team of Haus f\u00fcr Poesie. My deepest thanks to all the translators who have believed in my poetry and have translated it into their languages.<\/span>
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<\/span>Literarische Colloquium Berlin (Germany)<\/span>
<\/span>https:\/\/lcb.de\/app\/uploads\/Tomas-Cohen_3-Gedichte_Literatur-in-den-Sprachen-Berlins-1.pdf<\/span><\/a><\/p>


<\/span>Online publication of a selection of poems from <\/span>Eine Sternwarte im Badezimmer<\/span><\/i> translated into German by Luisa Donnerberg.<\/span>
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<\/span>\u201c<\/span>Bringing home all the glow\u201d<\/span><\/i>, Artespacio Art Gallery (Chile)<\/span>
<\/span>http:\/\/www.benjaminossa.com\/projects\/bringing-home-all-the-glow<\/span><\/a><\/p>

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Printed and online publication of the catalogue text for Chilean artist Benjamin Ossa\u00b4s solo exhibitions in Santiago de Chile and in Sobering Gallery of Paris, France.<\/span><\/p>


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\\\"Cluster, leaps, agenda\\\", an essay on translation and identity polemics in TOLEDO (Germany)\u00a0<\/span><\/p>

https:\/\/www.toledo-programm.de\/talks\/3380\/cluster-leaps-agenda<\/span><\/a><\/p>

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\\\"From the winter of our discontent\\\", an essay on New Year's resolutions for Burg H\u00fclshoff, Center for Literature (Germany)\u00a0<\/span><\/p>

https:\/\/www.burg-huelshoff.de\/programm\/projekte\/neujahrsvorsaetze\/from-dem-winter-unsers-missvergnuegens<\/span><\/a><\/p>

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\\\"Auspicum\\\", an essay on birdsong for the project Droste-Landschaft: Lyrikweg of Burg H\u00fclshoff, Center for Literature (Germany)\u00a0<\/span><\/p>

https:\/\/www.lyrikweg.net\/en\/app<\/span><\/a><\/p>

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\\\"En el templo de Vajrayogini\\\", 4 poems in Revista ODRADEK (Chile)\u00a0<\/span><\/p>

https:\/\/odradek.cl\/index.php\/2020\/09\/06\/no5\/<\/span><\/a><\/p>

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Thanks to Mar\u00eda P\u00eda Escobar and Ver\u00f3nica Echeverr\u00eda from Revista ODRADEK for publishing \u201cIn Vajrayoginis Temple\\\", a selection of four poems from my book Un \u00e1rbol de luz \u00edntima.<\/span><\/p>


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<\/span>2 poems translated into German in SIGNATUREN MAGAZIN (Germany)<\/span><\/p>

https:\/\/signaturen-magazin.de\/tomas-cohen--zwei-gedichte-.html<\/span><\/a><\/p>

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Many thanks to Odile Kennel for her translation and to Kristian K\u00fchn for the publication.<\/span><\/p>

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4 poems translated into Portuguese in Revista A BACANA (Portugal)<\/span><\/p>

http:\/\/www.abacana.com\/oficial\/quatro-poemas-de-tomas-cohen-traduzidos-por-evelyn-blaut-fernandes<\/span>

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Big thanks to translator and poet Evelyn Blaut-Fernandes and editor J. Carlos Teixeira for the publication of these 4 poems in A BACANA Magazine.<\/span><\/p>

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\u201cRetrato del peque\u00f1o T.C. entre los f\u00f3siles\u201d, a poem in Art&Crap (Chile)<\/span><\/p>

http:\/\/artandcrap.com\/ensayos\/1819\/<\/span><\/a><\/p>

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Thanks to Art&Crap for publishing this poem from my new book in their interesting page. The poem is titled \\\"Portrait of little T.C. among the fossils\\\", echoing a similar title of a poem by John Ashbery (which in turn echoes a poem by Andrew Marvell), with reference to my paleontology-filled childhood and my youth in engraving workshops. The poem belongs to the book Un \u00e1rbol de luz \u00edntima, published in Chile by Ediciones Bastante. A grateful hug to the Art&Crap team.<\/span><\/p>


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\\\"No insectario\\\", a poem in Vallejo & Co. (Peru)<\/span><\/p>

http:\/\/www.vallejoandcompany.com\/1-poema-de-un-arbol-de-luz-intima-2019-de-tomas-cohen\/<\/span><\/a><\/p>

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Grateful to Mario Pera and the Vallejo & Co. team for the publication of my poem in prose and verse \\\"No insectario\\\" (part of the book 'Un \u00e1rbol de luz \u00edntima') whose last section has an epigraph by Isabel Zapata. The photo is by Vera Greiner.<\/span>
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<\/span>4 poems in Revista J\u00e1mpster (Chile)<\/span><\/p>

https:\/\/jampster.cl\/extracciones-un-arbol-de-luz-intima-de-tomas-cohen\/<\/span><\/a><\/p>

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Here are four poems from my book Un \u00e1rbol de luz \u00edntima in J\u00e1mpster, a Chilean online literary magazine. Thanks to Tito Manfred and the magazine's team for the publication.<\/span><\/p>

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3 poems translated into Greek in Vaxikon Journal (Greece)<\/span><\/p>

https:\/\/www.vakxikon.gr\/cohen-dentro\/<\/span><\/a><\/p>

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Grateful to \u0386\u03c4\u03b7 \u03a3\u03bf\u03bb\u03ad\u03c1\u03c4\u03b7 for the Greek translation of these poems and their publication in the Vaxikon Journal of Athens.<\/span><\/p>

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<\/span>\\\"Das Aush\u00f6hlen der Vogelknochen\\\", a poem for a concert by Ensemble Resonanz (Germany)<\/span><\/p>

https:\/\/www.ensembleresonanz.com\/offbeat-vanitears<\/span><\/a><\/p>


<\/span>Ensemble Resonanz, the champions of contemporary classical music in Hamburg, commissioned me to write a new poem for their Saisonabschluss concert, which had as its unifying theme \\\"gravity: nach dem himmel gezogen\\\". That concert program featured the music of J\u00f6rg Widmann, one of Germany's leading contemporary composers. My poem, \\\"Das Aush\u00f6hlen der Vogelknochen,\\\" which addresses the concept of gravity in a multilingual and ekphrastic way, was based on the two compositions by J\u00f6rg Widmann that Ensemble Resonanz performed: \\\"Ikarische Klage\\\" and \\\"Insel der Sirenen,\\\" musical pieces that, in turn, draw on poems by Baudelaire and Rilke, in addition to their clear reference to classical Greek literature and myth. My poem was translated into German by Jonis Hartmann, published in the Ensemble's concert program and read on stage at the Elbphilarmonie as part of the concert. The poem was later published on the Ensemble's concert blog. During the research on gravity that led to the writing of this poem, my cousin, Chilean physicist Diego Cohen, provided me with valuable bibliography and references, for which I am very grateful. Exultant about this collaboration, I am eternally grateful to all the members of Ensemble Resonanz, in particular Elisa Erkelenz, Tobias Rempe, Tim-Erik Winzer and the actress Nina Maleika, who magnificently read the poem with me on stage before an attentive full house. The concert and reading were covered by Verena Fischer-Zernin for the Hamburger Abendblatt.<\/span><\/p>

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A poem translated into German in Fixpoetry - wir reden \u00fcber Literatur (Germany)<\/span><\/p>

https:\/\/www.fixpoetry.com\/texte\/text-des-tages\/tomas-cohen\/was-ich-gab-ist-alles-was-mir-blieb<\/span><\/a><\/p>

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A poem of mine appears in the \\\"Gedicht des Tages\\\" section of Fixpoetry, one of Germany's most visited online resources on literature. We translated the poem together with the great German poet Monika Rinck. My photo is by Saskia Seidel.<\/span><\/p>

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\\\"Der Stachelmantel des Igels\\\", a poem translated into German on Fixpoetry (Germany)<\/span><\/p>

https:\/\/www.fixpoetry.com\/texte\/text-des-tages\/tomas-cohen\/der-stachelmantel-des-igels<\/span><\/a><\/p>

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I am very happy that this bittersweet love-scar poem appears as Gedicht des tages on Fixpoetry, a really valuable online resource for contemporary literature in Germany. We translated the poem in conjunction with the great German poet Monika Rinck. Many thanks to Julietta-Ruth Fix and the Fixpoetry team. My photo is by Saskia Seidel.<\/span><\/p>

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5 poems in Oculta Lit (Spain)<\/span><\/p>

http:\/\/www.ocultalit.com\/creacion\/cinco-poemas-de-tomas-cohen-chile-1984\/<\/span><\/a><\/p>

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I share with you this publication in Oculta Lit of five fragments of \\\"extremaunciones\\\", the central - and most erotic - section of my book Redoble del ronroneo (Buenos Aires Poetry, 2016). Oculta Lit is a fine digital literary magazine, full of new voices and interesting essays, as well as being beautifully designed. Thanks to its editors, Dafne Benjumea and Diego \u00c1lvarez Miguel, for hosting these excerpts.<\/span><\/p>

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<\/span>6 poems translated into Russian (Russia)<\/span><\/p>

http:\/\/www.plavmost.org\/?p=11042<\/span><\/a><\/p>

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My sincere thanks to \u0421\u0435\u0440\u0433\u0435\u044f \u0411\u0430\u0442\u043e\u043d\u043e\u0432\u0430 for translating into Russian the following selection of my poems, published in Plavmost (no. 2), a Moscow literary magazine. My gratitude also to the editor of the magazine, poet Vyacheslav Kupriyanov, for making this publication possible.<\/span><\/p>

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3 poems in Somos.Berlin (Germany)<\/span><\/p>

https:\/\/somos.berlin\/2019\/09\/05\/tomas-cohen\/<\/span><\/a><\/p>

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Thanks to Somos.Berlin and Angie Pagnotta-Depersia for publishing online these 3 poems from my book Redoble del ronroneo. My photo is by Xavi Machado.<\/span><\/p>

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5 poems in C\u00edrculo de Poes\u00eda (Mexico) <\/span>
<\/span>http:\/\/circulodepoesia.com\/2016\/01\/poesia-chilena-tomas-cohen<\/span><\/a><\/p>

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C\u00edrculo de Poes\u00eda is an open collective of poets, academics, critics and cultural managers whose main objective is the dissemination of poetry in particular and literary culture in general. C\u00edrculo de Poes\u00eda - Revista electr\u00f3nica de literatura is linked to the Academic Body \\\"Mexican Literature and Culture: Tradition and Rupture\\\" of the Benem\u00e9rita Universidad Aut\u00f3noma de Puebla, integrated by Mario Calder\u00f3n Hern\u00e1ndez, V\u00edctor Contreras Toledo, Francisco Ram\u00edrez Santacruz and Al\u00ed Calder\u00f3n. My thanks to all their team for the publication.<\/span><\/p>

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5 poems in Revista POES\u00cdA (Venezuela) <\/span>
<\/span>http:\/\/www.poesia.uc.edu.ve\/blog\/redoble-del-ronroneo\/<\/span><\/a><\/p>

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I share with you this publication of 5 poems from my book Redoble del ronroneo (Buenos Aires Poetry, 2016) in the beautiful magazine POES\u00cdA, with home at the University of Carabobo and impeccable edition by V\u00edctor Manuel Pinto (http:\/\/poesia.uc.edu.ve\/historia.html). Throughout forty-five years of uninterrupted production, POES\u00cdA has linked intellectuals of the world with Venezuela, becoming one of the most relevant poetry and poetic theory magazines in the language. Also included are the blurbs written by the Chilean National Literature Prize winner Armando Uribe, the Argentine novelist Patricio Pron and the poet and translator Cristi\u00e1n G\u00f3mez Olivares. The book cover design is by Camila Evia, with a collage by Bill Noir. My photo is by Czech-American photographer Karol\u00edna Ku\u010derov\u00e1.<\/span><\/p>

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\\\"Andarivel (Postludio)\\\", a poem translated into Greek in Vaxikon Magazine (Greece).<\/span><\/p>

http:\/\/www.vakxikon.gr\/\u03c4\u03bf\u03bc\u03ac\u03c2-\u03ba\u03bf\u03ad\u03bd-\u03c7\u03b9\u03bb\u03ae-\u03b1\u03c0\u03cc-\u03c4\u03bf-\u03ad\u03bd\u03b1-\u03ac\u03ba\u03c1\u03bf-\u03c3\u03c4\u03bf-\u03ac\u03bb\u03bb\/<\/span><\/a><\/p>

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I am delighted to link you my poem Andarivel (Postlude) (\u0391\u03a0\u039f \u03a4\u039f \u0395\u039d\u0391 \u0391\u039a\u03a1\u039f \u03a3\u03a4\u039f \u0391\u039b\u039b\u039f) beautifully translated by Ati Solerti (\u0386\u03c4\u03b7 \u03a3\u03bf\u03bb\u03ad\u03c1\u03c4\u03b7), an Athens-based poet and translator, and published by the Greek literary journal VAKXIKON. The publication includes an insightful introduction she has written about the poem.<\/span><\/p>



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\\\"Andarivel (Postludio)\u201d, a poem in Vallejo & Co. (Peru)<\/span><\/p>

http:\/\/www.vallejoandcompany.com\/andarivel-postludio-poema-de-tomas-cohen\/<\/span><\/a><\/p>

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Here is \\\"Andarivel,\\\" the long poem that closes my book Redoble del ronroneo (Buenos Aires Poetry, 2016). As this poem starts from an epigraph by C\u00e9sar Vallejo, I am very happy about its present publication in the Peruvian site Vallejo & Co, one of the most consulted resources for contemporary Latin American poetry. Thanks to its editor, Mario Pera, for his care and kindness.<\/span><\/p>

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\\\"Andarivel\\\" is, like the mechanism to which it refers, a back-and-forth between registers of different heights, which cancel and negotiate; it is also an appeal to the second person of the reader, inviting him to take part in the closing of the book as a ritual. This poem was translated into Greek by \u0386\u03c4\u03b7 \u03a3\u03bf\u03bb\u03ad\u03c1\u03c4\u03b7 and published, in that version, by Vakxikon.gr, an Athenian journal.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 10,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Videos of readings<\/span><\/a><\/span><\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 5,\r\n \"col\": 0,\r\n \"colspan\": 10,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 19,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

+<\/span><\/a><\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 5,\r\n \"col\": 11,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 22,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

A<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 6,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 21,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Video reading of the poem \\\"Ex-Voto\\\" (Hamburg, 2017).<\/span><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 7,\r\n \"col\": 0,\r\n \"colspan\": 10,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 45,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

A<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 8,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 49,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"video\",\r\n \"cont\": \"https:\/\/i.vimeocdn.com\/video\/672006008-e55004819765e2643e610f0bacabe815354c311dc9ee1d131cf37cdf83b33caf-d_640\",\r\n \"align\": \"middle\",\r\n \"row\": 9,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 31,\r\n \"iframe\": \"